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TZID:Europe/Madrid
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DTSTART;TZID=Europe/Madrid:20220224T100000
DTEND;TZID=Europe/Madrid:20221009T200000
DTSTAMP:20220215T181608Z
CREATED:20220215T172541Z
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UID:17198-1645696800-1665345600@www.fotoconnexio.org
SUMMARY:Exhibition Bromóleos. Fotografía pictorialista. Joaquim Pla Janini
DESCRIPTION:Exhibition showing the relationship between the work of the author Joaquim Pla Janini\, pictorial photography and the sea. This is a unique opportunity to disseminate the work of this photographer\, as well as his unknown and little studied slope over the sea\, showing for the first time the collection of the 34 transported bromoils that belong to the collection of the Barcelona Maritime Museum. \nThe author’s trajectory is contextualized with the sociocultural situation of the time\, establishing connections with the pictorialist current\, relations with contemporary photographers and photographic groups\, the national and international positioning of the work through competitions and exhibitions\, the singularity of the photographic technique (the transported bromoil)\, and the most personal figure of the author.
URL:https://www.fotoconnexio.org/en/event/exposicio-bromolis-fotografia-pictorialista-joaquim-pla-janini/
LOCATION:Museu Marítim de Barcelona\, Av. Drassanes s/n\, Barcelona
CATEGORIES:Exposició
ATTACH;FMTTYPE=image/jpeg:https://www.fotoconnexio.org/wp-content/uploads/2022/02/273656264_4734683426618981_3339409027299681977_n.jpg
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DTSTART;TZID=Europe/Madrid:20220510T190000
DTEND;TZID=Europe/Madrid:20220510T200000
DTSTAMP:20220314T190642Z
CREATED:20220314T172918Z
LAST-MODIFIED:20220314T190642Z
UID:17552-1652209200-1652212800@www.fotoconnexio.org
SUMMARY:Conference "Les reparacions fotogràfiques i el més-que-humà"\, by T. J. Demos\, at the KBr
DESCRIPTION:In the face of the tragic event of extinction of the multispecies we are experiencing\, the depiction of the disappearance of the more-than-human appears as a melancholy photographic practice. But what about the politics of its aesthetics? The imagery of lost species can cynically commodify the loss or serve as a liberal duel repertoire\, connecting photography with a necrospeculative economy. But could its associated ecological effects of pain and despair connect mourning with militancy\, a transformative anti-capitalist climate justice policy\, and a collective testimony that fuels the demands of a future reparator? How do you see repairs from a global crisis? And how could contemporary photography have a restorative horizon in itself? \n(Intervention in English with simultaneous translation into Spanish) \nT. J. Demos is a professor in the Department of Art History and Visual Culture at the University of California (Santa Cruz) and founding director of the University’s Center for Creative Ecology. He writes about contemporary art and global politics and investigates the intersection of visual culture\, radical politics\, and political ecology. He is the author of numerous books\, including Beyond the World’s End: Arts of Living at the Crossing (Duke\, 2020). He recently co-edited The Routledge Companion on Contemporary Art\, Visual Culture\, and Climate Change (2021) and led the Sawyer Seminar-funded Beyond the End of the World research project\, funded by the Mellon Foundation (2019-21). He chairs the Climate Collective\, which offers public programming at the MAAT (Lisbon).
URL:https://www.fotoconnexio.org/en/event/conferencia-les-reparacions-fotografiques-i-el-mes-que-huma-a-carrec-de-t-j-demos-al-kbr/
LOCATION:Sala d’exposicions KBr Mapfre\, Av. del Litoral\, nº 30\, 08005 Barcelona\, Barcelona\, Espanya
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