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X-WR-CALNAME:Fotoconnexió
X-ORIGINAL-URL:https://www.fotoconnexio.org/en/
X-WR-CALDESC:Events for Fotoconnexió
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TZID:Europe/Madrid
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DTSTART:20210328T010000
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DTSTART:20211031T010000
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DTSTART:20220327T010000
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DTSTART:20221030T010000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20220208T080000
DTEND;TZID=Europe/Madrid:20220327T170000
DTSTAMP:20220203T120728Z
CREATED:20220203T120245Z
LAST-MODIFIED:20220203T120728Z
UID:17150-1644307200-1648400400@www.fotoconnexio.org
SUMMARY:Exhibition Foto fija en el cine mudo de José Buchs. Santander\, 1920 at the CDIS from Santander
DESCRIPTION:From the Santander Image Documentation Center (CDIS)\, of the Santander City Council\, we invite you to the opening of the exhibition Fixed photo in the silent cinema by José Buchs. Santander\, 1920\, with images from the collection of José Antonio Torcida. We look forward to seeing you on Tuesday\, February 8\, at 7:30 p.m.\, in the Ángel de la Hoz Room (CDIS).
URL:https://www.fotoconnexio.org/en/event/exposicio-foto-fija-en-el-cine-mudo-de-jose-buchs-santander-1920-al-cdis-de-santander/
LOCATION:CDIS\, C/ Magallanes 30\, Santander\, Santander\, 39007\, Espanya
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20220224T100000
DTEND;TZID=Europe/Madrid:20221009T200000
DTSTAMP:20220215T181608Z
CREATED:20220215T172541Z
LAST-MODIFIED:20220215T181608Z
UID:17198-1645696800-1665345600@www.fotoconnexio.org
SUMMARY:Exhibition Bromóleos. Fotografía pictorialista. Joaquim Pla Janini
DESCRIPTION:Exhibition showing the relationship between the work of the author Joaquim Pla Janini\, pictorial photography and the sea. This is a unique opportunity to disseminate the work of this photographer\, as well as his unknown and little studied slope over the sea\, showing for the first time the collection of the 34 transported bromoils that belong to the collection of the Barcelona Maritime Museum. \nThe author’s trajectory is contextualized with the sociocultural situation of the time\, establishing connections with the pictorialist current\, relations with contemporary photographers and photographic groups\, the national and international positioning of the work through competitions and exhibitions\, the singularity of the photographic technique (the transported bromoil)\, and the most personal figure of the author.
URL:https://www.fotoconnexio.org/en/event/exposicio-bromolis-fotografia-pictorialista-joaquim-pla-janini/
LOCATION:Museu Marítim de Barcelona\, Av. Drassanes s/n\, Barcelona
CATEGORIES:Exposició
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20220309T080000
DTEND;TZID=Europe/Madrid:20220311T170000
DTSTAMP:20220307T091129Z
CREATED:20220307T090726Z
LAST-MODIFIED:20220307T091129Z
UID:17330-1646812800-1647018000@www.fotoconnexio.org
SUMMARY:Festival Photo Forum\, Barcelona
DESCRIPTION:https://photoforumbarcelona.com/
URL:https://www.fotoconnexio.org/en/event/festival-photo-forum-barcelona/
CATEGORIES:Festival
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20220314T183000
DTEND;TZID=Europe/Madrid:20220314T200000
DTSTAMP:20220306T185446Z
CREATED:20220306T134036Z
LAST-MODIFIED:20220306T185446Z
UID:17317-1647282600-1647288000@www.fotoconnexio.org
SUMMARY:Fototertúlia (Photo Talk) Brians. Dones Invisibles\, by Cristina Sampere and Marta Fàbregas
DESCRIPTION:Monday\, March 14\, 2022 at 6:30 pm\, Cercle Artístic de Sant Lluc\, carrer dels Mercaders\, 42\, Barcelona \nYou can also access the photo chat from this link\, the session will be recorded on video \nhttps :: // meet jit si / FOTOTERTULIES 2022 \nWe will be presented with a photo book that is the result of the participatory photography project TRANSFERING THE OBJECTIVE organized by the Setba Foundation in the women’s unit of the Brians 1 Penitentiary Center in Sant Esteve Sesrovires (in collaboration with the artist and activist Marta Fàbregas . \nFor two years\, more than sixty women in prison have participated in photography workshops\, discovering a new form of expression and doing empowerment work that has improved their self-esteem and image. \nThis photo book includes\, apart from the portraits in the interns made by the artistic director\, photographs of the space of the photographer Laura Gàlvez Rhein and two very special reports\, one by Camila Oliveira\, currently in third grade and which has had the mentored by Marta Fàbregas\, and the other by Sofia Kyprisli\, who continues in Brians and has had photojournalist Sandra Balsells as her mentor. \nThis project is a statement of principles and this book is the first in the collection. Women are the most forgotten of the prison system\, as they represent only 7 of the inmate population\, with fewer facilities and resources than men. The Foundation wants to contribute to social transformation through culture\, a powerful tool that it always “saves” us. \n  \nInfo about the phto talk (catalan) \n  \n 
URL:https://www.fotoconnexio.org/en/event/fototertulia-brians-dones-invisibles-a-carrec-de-cristina-sampere-i-marta-fabregas/
LOCATION:CERCLE ARTÍSTIC DE SANT LLUC\, Carrer dels Mercaders\, 42\, Barcelona\, Barcelona\, 08003\, Espanya
CATEGORIES:Fototertúlia
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20220315T190000
DTEND;TZID=Europe/Madrid:20220315T200000
DTSTAMP:20220309T192051Z
CREATED:20220309T151240Z
LAST-MODIFIED:20220309T192051Z
UID:17444-1647370800-1647374400@www.fotoconnexio.org
SUMMARY:Conference El llegat oblidat d’Agustí Centelles. Més enllà del fotoperiodisme de guerra\, by Teresa Ferré Panisello\, at the KBr
DESCRIPTION:The photographer Agustí Centelles (1909-1985) has gone down in history as one of the great photojournalists of the Civil War. He represents a legacy recovered during the Transition in the midst of a mythical construction process around his figure. But his professional career hides a huge and at the same time exceptional visual production. Exceptional when we approach the set of unusual images from a historical and photographic point of view that he took while detained in the Bram concentration camp between March and September 1939. There he took hundreds of photographs that constitute a unique contribution of the visualization of the republican exile. But against all logic\, the photographer did not include them when he recorded the contents of his archive during the Transition\, nor did he explicitly claim them in the last years of his life. What could be the reason for not making them public? \nTeresa Ferré Panisello is a journalist and professor of the History of Communication and Journalism at the UAB and an independent researcher at the Observatory of Everyday Life (OVQ). His academic research focuses on photography and propaganda during the interwar period\, especially the figure of Agustí Centelles\, on whom he has done his doctoral dissertation\, curated several exhibitions and published some books including the diary of the photographer written in the Bram concentration camp. He is doing independent research for the OVQ in the projects “La imatge velada”\, which aims to recover the legacy of Catalan photojournalism from 1900 to 1939\, and “Gràfica anarquista”. \n 
URL:https://www.fotoconnexio.org/en/event/conference-el-llegat-oblidat-dagusti-centelles-mes-enlla-del-fotoperiodisme-de-guerra-par-teresa-ferre-panisello-au-kbr/
LOCATION:Sala d’exposicions KBr Mapfre\, Av. del Litoral\, nº 30\, 08005 Barcelona\, Barcelona\, Espanya
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20220317T183000
DTEND;TZID=Europe/Madrid:20220317T193000
DTSTAMP:20220311T085630Z
CREATED:20220311T084449Z
LAST-MODIFIED:20220311T085630Z
UID:17462-1647541800-1647545400@www.fotoconnexio.org
SUMMARY:PHOTOGRAPHY DIALOGUES Dialogues around the Bromolis exhibition. Pictorial photography by Joaquim Pla Janini
DESCRIPTION:The Photography Dialogues series presents a program of activities led by experts and researchers in the subject and technique of bromole. Two people specializing in historical photography will take part in each dialogue. \nDialogue 1. Photography and the sea. An exhibition on Joaquim Pla Janini\nTalented artists\, such as Pla Janini\, have created beautiful sea scenes\, which are unpublished in the temporary exhibition of the Maritime Museum of Barcelona. We talked about the challenge of photographing the sea\, from the beginnings of the history of photography. \nDate: March 17\, 2022\, 6:30 to 8 p.m. \nSpeakers: Silvia Dahl\, curator of the photographic collections of the Maritime Museum of Barcelona and Maria de los Santos Garcia-Felguera\, professor of Art History and Photography at Pompeu Fabra University in Barcelona. \nYou can book here
URL:https://www.fotoconnexio.org/en/event/dialegs-de-fotografia-dialegs-al-voltant-de-lexposicio-bromolis-fotografia-pictorialista-de-joaquim-pla-janini/
LOCATION:Museu Marítim de Barcelona\, Av. Drassanes s/n\, Barcelona
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20220322T190000
DTEND;TZID=Europe/Madrid:20220322T200000
DTSTAMP:20220311T094019Z
CREATED:20220311T082142Z
LAST-MODIFIED:20220311T094019Z
UID:17472-1647975600-1647979200@www.fotoconnexio.org
SUMMARY:Conference «La bellesa a la barriada»: resistència i arquitectures de la despossessió a Lagos\, Nigèria\, by Naluwembe Binaisa\, at KBr
DESCRIPTION:In Lagos\, for centuries\, there has been a struggle against dispossession architectures\, framed by the ever-present colonial encounter. Naluwembe Binaisa is immersed in ethnographic research in Nigeria that seeks to understand the intersections between photography and political imagery. The title quote comes from Jide\, a Lagos youth activist\, and highlights the guiding principle of those who live in these areas and try to tell their own stories through photography and video. The restoration of their right to the city is invoked through the lens of indigenous cosmologies\, offering different forms of interpretation. Many have lost their homes and livelihoods due to the destruction of the excavator\, while others live under the imminent threat of being excluded from their ancestral heritage. In this case\, the photographs are considered to “always speak” and favor the alternative lines of view of the resistance to reveal the long duration of the response within the claims of rights and restitution. (Intervention in English with simultaneous translation into Spanish). \nNaluwembe Binaisa is an interdisciplinary researcher and creator\, and her work focuses on the intersections of mobility\, belonging and citizenship through generational and gender dynamics. His work questions racial capitalism and focuses on indigenous cosmologies and epistemologies. Naluwembe is part of the PHOTODEMOS collective\, dedicated to the project “Citizens of Photography: the Camera and the Political Imagination”.
URL:https://www.fotoconnexio.org/en/event/conferencia-la-bellesa-a-la-barriada-lagos-nigeria-al-kbr/
LOCATION:Sala d’exposicions KBr Mapfre\, Av. del Litoral\, nº 30\, 08005 Barcelona\, Barcelona\, Espanya
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20220327T080000
DTEND;TZID=Europe/Madrid:20220327T170000
DTSTAMP:20220327T151317Z
CREATED:20220327T150027Z
LAST-MODIFIED:20220327T151317Z
UID:17574-1648368000-1648400400@www.fotoconnexio.org
SUMMARY:Fototertúlia (Photo Talk) Un paseo fotográfico por la Murcia del xiglo XIX. Vida y obra de Juan Almagro Roca\, by Asensio Martínez Jódar
DESCRIPTION:The Photo Talk will take place\, online\, on Monday\, April 4 at 6:30 p.m.\, by Asensio Martínez Jódar \n  \nOnline Photo Talk (the session will be recorded on video): https://meet.jit.si/FOTOTERTULIES2022 \n  \nJuan Almagro Roca (Murcia 1837 – 1899) was one of the most influential figures in the photographic panorama of the province of Murcia in the 19th century. He was a multifaceted figure to whom we can attribute different adjectives: priest\, liberal\, photographer and Freemason. Apparently contradictory adjectives\, but which can be understood and reconciled in the context of the social and political situation experienced during the Democratic Administration and the subsequent Bourbon Restoration. \n \nTrained in the tradition of the “visit card” by Julio Torres Vivancos\, Juan Almagro became\, in the mid-1870s\, the most outstanding portraitist in Murcia. His studio had no rival in this field\, bequeathing us a very high production in which he left a sample of his great technical and aesthetic quality. But this was not the only genus cultivated by Almagro. The urban views that he took of Murcia and its surroundings take us to a city in the process of modernization captured from a romantic perspective. This look was greatly influenced by the regionalist movement\, which vindicated popular traditions and love for the “small country” through different cultural productions. In this trend we can also include the numerous popular portraits of market gardeners from Múrica and the collection of reproductions of religious sculpture\, which constitutes an authentic visual and systematic catalog of the best carvings then existing in Murcia\, but perhaps one of his most unique works. It is constituted by his report on the Riada de Santa Teresa\, made at the end of 1879 to immortalize the humanitarian catastrophe experienced in the Murcian orchard as a result of this event.\n \n  \n  \n  \n 
URL:https://www.fotoconnexio.org/en/event/fototertulia-un-paseo-fotografico-por-la-murcia-del-xiglo-xix-vida-y-obra-de-juan-almagro-roca-a-carrec-de-asensio-martinez-jodar/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20220329T183000
DTEND;TZID=Europe/Madrid:20220329T193000
DTSTAMP:20220311T102236Z
CREATED:20220311T100825Z
LAST-MODIFIED:20220311T102236Z
UID:17487-1648578600-1648582200@www.fotoconnexio.org
SUMMARY:Conference «El matí no decideix sobre el que queda del dia»\, by Yasmine Eid-Sabbagh\, at the KBr
DESCRIPTION:In late 1975\, after Morocco invaded Western Sahara\, the Sahrawi resistance began gathering photographs of Moroccan soldiers captured or killed in combat. Most of these photographs were simple portraits of soldiers’ wives\, their girlfriends\, their children\, their parents\, or pictures of everyday life in Morocco. During the war years\, these photographs became an involuntary archive stored in temporary places in the Algerian desert\, where exiled Sahrawis had sought refuge. \nToday\, these images are waiting for the necessary conditions\, the end of the occupation and the ongoing conflict\, to be returned to their owners: returned not to the state\, but to the families who lost their loved ones in a hidden war. \n(Intervention in English with simultaneous translation into Spanish) \nIn her practice\, Yasmine Eid-Sabbagh explores the possibilities of human action through experimental and collective work processes. These processes include archival practices such as negotiating a digital archive set up with people from Burj al-Shamali\, a Palestinian refugee camp in Lebanon. Photography acts as a means for her to communally investigate the notions of collectivity\, power\, and resistance; for example\, with his commitment as a member of the Arab Image Foundation and with the focus of his PhD in Art Theory and Cultural Studies at the Vienna Academy of Fine Arts (2018).
URL:https://www.fotoconnexio.org/en/event/conferencia-el-mati-no-decideix-sobre-el-que-queda-del-dia-a-carrec-de-yasmine-eid-sabbagh-al-kbr/
LOCATION:Sala d’exposicions KBr Mapfre\, Av. del Litoral\, nº 30\, 08005 Barcelona\, Barcelona\, Espanya
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