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DTSTART;TZID=Europe/Madrid:20220224T100000
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DTSTAMP:20260409T041912
CREATED:20220215T172541Z
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SUMMARY:Exhibition Bromóleos. Fotografía pictorialista. Joaquim Pla Janini
DESCRIPTION:Exhibition showing the relationship between the work of the author Joaquim Pla Janini\, pictorial photography and the sea. This is a unique opportunity to disseminate the work of this photographer\, as well as his unknown and little studied slope over the sea\, showing for the first time the collection of the 34 transported bromoils that belong to the collection of the Barcelona Maritime Museum. \nThe author’s trajectory is contextualized with the sociocultural situation of the time\, establishing connections with the pictorialist current\, relations with contemporary photographers and photographic groups\, the national and international positioning of the work through competitions and exhibitions\, the singularity of the photographic technique (the transported bromoil)\, and the most personal figure of the author.
URL:https://www.fotoconnexio.org/en/event/exposicio-bromolis-fotografia-pictorialista-joaquim-pla-janini/
LOCATION:Museu Marítim de Barcelona\, Av. Drassanes s/n\, Barcelona
CATEGORIES:Exposició
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DTSTART;TZID=Europe/Madrid:20220503T190000
DTEND;TZID=Europe/Madrid:20220503T200000
DTSTAMP:20260409T041912
CREATED:20220314T170420Z
LAST-MODIFIED:20220314T170902Z
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SUMMARY:Conference "El futur de Xile en les fotografies del salnitre"\, by Xavier Ribas\, at the KBr
DESCRIPTION:The visual history of saltpetre\, popularly known as “Chilean nitrate”\, consists of a few (few) photo albums made by saltpetre entrepreneurs\, mostly of British origin. It is a photographic record documenting the process of saltpeter extraction in the Atacama Desert between the 1870s and 1920s. This legacy\, which is preserved in Chilean archives and libraries\, exudes capitalist and colonial rhetoric. The question is: How do we approach these photo albums critically ?; how is it possible to relate the experience of the saltpeter worker and his history of resistance from these photographs ?; how do we think about photographs considering what was left out of the image ?\, and finally how do we look at them from their historical development? As Andrea Jösch said\, these images anticipate a future of ruin and a coup. \nXavier Ribas is a photographer and professor at the University of Brighton and the Polytechnic University of Valencia. He studied Social Anthropology at the University of Barcelona and Documentary Photography at the Newport School of Art\, Media and Design. His photographic work explores disputed places and stories\, the geographies of abandonment\, temporary settlements\, and border territories. Since 2009 he has been part of the collective research project “Traces of Nitrate” on the extractive processes in Chile and the commercial networks that converge in the stock market of the City of London. He lives and works in London.
URL:https://www.fotoconnexio.org/en/event/conferencia-el-futur-de-xile-en-les-fotografies-del-salnitre-a-carrec-de-xavier-ribas-al-kbr/
LOCATION:Sala d’exposicions KBr Mapfre\, Av. del Litoral\, nº 30\, 08005 Barcelona\, Barcelona\, Espanya
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DTSTART;TZID=Europe/Madrid:20220510T190000
DTEND;TZID=Europe/Madrid:20220510T200000
DTSTAMP:20260409T041912
CREATED:20220314T172918Z
LAST-MODIFIED:20220314T190642Z
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SUMMARY:Conference "Les reparacions fotogràfiques i el més-que-humà"\, by T. J. Demos\, at the KBr
DESCRIPTION:In the face of the tragic event of extinction of the multispecies we are experiencing\, the depiction of the disappearance of the more-than-human appears as a melancholy photographic practice. But what about the politics of its aesthetics? The imagery of lost species can cynically commodify the loss or serve as a liberal duel repertoire\, connecting photography with a necrospeculative economy. But could its associated ecological effects of pain and despair connect mourning with militancy\, a transformative anti-capitalist climate justice policy\, and a collective testimony that fuels the demands of a future reparator? How do you see repairs from a global crisis? And how could contemporary photography have a restorative horizon in itself? \n(Intervention in English with simultaneous translation into Spanish) \nT. J. Demos is a professor in the Department of Art History and Visual Culture at the University of California (Santa Cruz) and founding director of the University’s Center for Creative Ecology. He writes about contemporary art and global politics and investigates the intersection of visual culture\, radical politics\, and political ecology. He is the author of numerous books\, including Beyond the World’s End: Arts of Living at the Crossing (Duke\, 2020). He recently co-edited The Routledge Companion on Contemporary Art\, Visual Culture\, and Climate Change (2021) and led the Sawyer Seminar-funded Beyond the End of the World research project\, funded by the Mellon Foundation (2019-21). He chairs the Climate Collective\, which offers public programming at the MAAT (Lisbon).
URL:https://www.fotoconnexio.org/en/event/conferencia-les-reparacions-fotografiques-i-el-mes-que-huma-a-carrec-de-t-j-demos-al-kbr/
LOCATION:Sala d’exposicions KBr Mapfre\, Av. del Litoral\, nº 30\, 08005 Barcelona\, Barcelona\, Espanya
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