{"id":16409,"date":"2021-10-17T16:24:37","date_gmt":"2021-10-17T14:24:37","guid":{"rendered":"https:\/\/www.fotoconnexio.org\/repository\/papers-fotografics\/"},"modified":"2025-09-05T11:04:27","modified_gmt":"2025-09-05T09:04:27","slug":"papers-fotografics","status":"publish","type":"page","link":"https:\/\/www.fotoconnexio.org\/en\/repository\/papers-fotografics\/","title":{"rendered":"Papers fotogr\u00e0fics"},"content":{"rendered":"

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Papers Fotogr\u00e0fics<\/em> is a magazine edited by Fotoconnexi\u00f3 whose objective is to disseminate monographic works on the history of photography throughout the world.<\/p>\n

The acceptance of the works is preceded by a peer review. The candidate texts must be original, unpublished or have been published in out-of-print volumes which are not currently accessible. Previous works that have been updated with sufficient depth can also be considered for publication.<\/p>\n

Papers Fotogr\u00e0fics<\/em> publishes under the Creative Commons BY-NC-SA license, and the permissions for the use of the images contained in the monographs are the responsibility of their authors.<\/p>\n

Proposals should be sent to secretaria@fotoconnexio.org<\/a> addressed to the editorial board of Papers Fotogr\u00e0fics<\/em>.<\/p>\n


\n rem\u00e8des maison pour la laryngite https:\/\/pilulesfrance.com\/anthelminthique\/rivotril-2mg\/<\/a> logiciel de r\u00e9paration
<\/span><\/p>\n

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Published numbers<\/h2>\n

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\"\"<\/a>

Photographs, books and travel. Aurora Bertrana between Polynesia and Morocco (1926-1936), by Mar\u00eda de los Santos Garc\u00eda Felguera (Catalan and Spanish version)<\/a><\/p><\/div><\/p>\n

Papers Fotogr\u00e0fics, n\u00ba 1<\/strong><\/h2>\n

Photographs, books and travel.<\/em><\/h3>\n

Aurora Bertrana between Polynesia and Morocco (1926-1936)<\/em><\/h3>\n

Mar\u00eda de los Santos Garc\u00eda Felguera<\/h4>\n

A traveler, writer, cellist, politician, freelancer, Freemason and feminist, Aurora Bertrana illustrated her travel books, articles and novels with photographs. In Polynesian texts she used some made by her husband (Denis Choffat) or bought from professional companies; on the trip to Morocco she brought her own camera, a Kodak that identified her as a journalist (along with the notebook) and that she could not use as much as she would have liked due to multiple difficulties, including approaching to women. In this article we analyze the role of the photographs referred to in the context of the thought, writings and life of the Catalan writer, who from her first articles took them into account as an important part; and the role of the camera itself that functions as a shield in complicated situations. Aurora Bertrana raises issues that remain crucial in today\u2019s photography, such as respect for the other person and even the renunciation of using the camera so as not to break that respect.<\/p>\n

Keywords: Aurora Bertrana, women, gender, photography, travel, books, Polynesia, Morocco, Catalonia, 20th century, 1920s, Zane Gray, limits of photography.<\/p>\n

Link to download: Photographs, books and travel. Aurora Bertrana entre la Polin\u00e8sia i el Marroc (1926-1936) (catal\u00e0 i castell\u00e0)<\/p>\n

Enlla\u00e7 per descarregar<\/strong>: Photographs, books and travel. Aurora Bertrana between Polynesia and Morocco (1926-1936) (Catalan and Spanish version)<\/a><\/p>\n

 <\/p>\n

[\/et_pb_text][et_pb_text admin_label=”Papers Fotografics No. 2 Enric Bargues” _builder_version=”4.27.4″ vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ hover_enabled=”0″ z_index_tablet=”0″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}” sticky_enabled=”0″]

\"Enric<\/a>

Texto en catal\u00e1n y castellano<\/a><\/p><\/div><\/p>\n

Papers Fotogr\u00e0fics, n\u00ba 2<\/strong><\/h2>\n

Enric Bargu\u00e9s, inventor of the minute camera with copy device.<\/h3>\n

Salvador Ti\u00f3 Sauleda<\/h4>\n

 <\/p>\n

In 1917, Enric Bargu\u00e9s (1883-) filed a patent application for the production of positive copies with a camera equipped with a laboratory and using bromide-coated cardboard as a clich\u00e9. This invention replaced the single-copy ferrotype system of minute cameras with a negative-positive system using conventional silver bromide photographic paper. After the first automatic photography device, the Automatic Photographic Scale by Joan Cant\u00f3 in Barcelona in 1887, and its subsequent failure, Nievsky took up the idea of \u200b\u200ba camera with a built-in laboratory and, using dry ferrotype plates, launched the first minute camera in 1891, followed by a succession of cameras with a built-in laboratory. Finally, in 1917, Enric Bargu\u00e9s, who had been involved in the construction of cameras since 1914 and had formed a partnership with Pere Farias i Velasco, would present the patent for a camera with a laboratory and prepared to make a negative on gelatin-bromide paper, and by re-photographing it, obtain the positive copy, also on gelatin-bromide paper. The innovation was later adopted by other manufacturers.<\/p>\n

Keywords: Enric Bargu\u00e9s, minute camera, photographic automaton, ferrotype, gelatin-bromide, negative\/positive.<\/p>\n

Download link: Enric Bargu\u00e9s, inventor of the minute camera with copying device<\/a>. (Catalan and Spanish)<\/p>\n

 <\/p>\n

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