{"id":16251,"date":"2021-04-12T18:30:37","date_gmt":"2021-04-12T16:30:37","guid":{"rendered":"https:\/\/www.fotoconnexio.org\/2021\/04\/12\/fototertulia-la-coleccion-castellano-historia-de-una-obra-maestra-a-carrec-de-stephany-onfray\/"},"modified":"2021-10-19T16:27:40","modified_gmt":"2021-10-19T14:27:40","slug":"fototertulia-la-coleccion-castellano-historia-de-una-obra-maestra-a-carrec-de-stephany-onfray","status":"publish","type":"post","link":"https:\/\/www.fotoconnexio.org\/en\/2021\/04\/12\/fototertulia-la-coleccion-castellano-historia-de-una-obra-maestra-a-carrec-de-stephany-onfray\/","title":{"rendered":"Fototert\u00falia (Photo Talk)<i> The Castellano collection. History of a masterpiece <\/i>, by St\u00e9phany Onfray"},"content":{"rendered":"<p>On Monday 12 April, St\u00e9phany Onfray spoke to us about Manuel Castellano and his photography collection, the subject of her doctoral thesis. After the presentation by Mar\u00eda de los Santos Garc\u00eda Felguera, St\u00e9phany presented the figure of Manuel Castellano, and especially the collection preserved in the National Library of Spain, which contains 24 albums of photographs (22,000 photographs, portraits mainly), but also drawings, engravings, autographs, manuscripts &#8230;<\/p>\n<p><iframe loading=\"lazy\" title=\"Fototertulia 2021-04-12  Coleccion Castellano a cargo de Stephany Onfray\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/yGoUAnxB_Qg?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>If we compare the size of the Castellano Collection with the few studies that have been dedicated to it, it may turn out to be one of the least used collections in Spain.<\/p>\n<p>Information about its creating conditions and its creator is still very scarce, although, little by little, new approaches are emerging.<\/p>\n<p>The lack of documentation and the size of the collection complicate their global understanding and, above all, prevent determining the reasons that pushed the Madrid painter Manuel Castellano (1826 -1880) to put together thousands of photographs, letters and poems, drawings or theatrical manuscripts between 1845 and 1880.<\/p>\n<p>In order to try to get closer to the Castellano Collection, St\u00e9phany first presented his photographic collection, and then highlighted some aspects related to its meeting conditions, before entering the\u00a0 National Library of Spain in 1872.<\/p>\n<div id=\"attachment_10321\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/Imagen2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10321\" class=\"size-medium wp-image-15722\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/Imagen2-300x243.jpg\" alt=\"\" width=\"300\" height=\"243\" \/><\/a><p id=\"caption-attachment-10321\" class=\"wp-caption-text\">View of one of the photographic albums of the Castellano Collection, ca. 1860, National Library of Spain<\/p><\/div>\n<p>She then underlined the richness of the collection, in order to understand how the preserved set of documentary and graphic sources can provide us with key information about the photo albums, and in particular about the twenty-two volumes of portraits. She highlighted Manuel Castellano&#8217;s relationship with Jean Laurent and Jos\u00e9 Mart\u00ednez S\u00e1nchez.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Captura-de-pantalla-2021-04-18-172136.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15782\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Captura-de-pantalla-2021-04-18-172136-300x140.jpg\" alt=\"\" width=\"350\" height=\"163\" \/>\u00a0\u00a0\u00a0\u00a0\u00a0<\/a> <a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Captura-de-pantalla-2021-04-18-172407.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15791\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Captura-de-pantalla-2021-04-18-172407-300x139.jpg\" alt=\"\" width=\"344\" height=\"159\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Captura-de-pantalla-2021-04-18-172510.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15794\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Captura-de-pantalla-2021-04-18-172510-300x139.jpg\" alt=\"\" width=\"349\" height=\"162\" \/>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/a> <a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Captura-de-pantalla-2021-04-18-172558.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15797\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Captura-de-pantalla-2021-04-18-172558-300x140.jpg\" alt=\"\" width=\"349\" height=\"163\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Captura-de-pantalla-2021-04-18-172329.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15788\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Captura-de-pantalla-2021-04-18-172329-300x140.jpg\" alt=\"\" width=\"351\" height=\"164\" \/>\u00a0 \u00a0 \u00a0 \u00a0<\/a><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Captura-de-pantalla-2021-04-18-172748.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15803\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Captura-de-pantalla-2021-04-18-172748-300x139.jpg\" alt=\"\" width=\"352\" height=\"163\" \/><\/a><\/p>\n<div class=\"mceTemp\"><\/div>\n<p>Finally, and before concluding, St\u00e9phany addressed some methodological issues in order to consider this collection as a primary source for understanding Madrid society and culture during the nineteenth century.<\/p>\n<div id=\"attachment_10360\" style=\"width: 222px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Butlleti-Fotoconnexio-03_2021_cat.pdf\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10360\" class=\"thumb-of-pdf wp-image-15776 size-medium\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/04\/Butlleti-Fotoconnexio-03_2021_cat-pdf-212x300.jpg\" alt=\"thumbnail of Butllet\u00ed Fotoconnexi\u00f3 03_2021_cat\" width=\"212\" height=\"300\" \/><\/a><p id=\"caption-attachment-10360\" class=\"wp-caption-text\">Extract fromthe Fototert\u00falia (Catalan)<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Monday 12 April, St\u00e9phany Onfray spoke to us about Manuel Castellano and his photography collection, the subject of her doctoral thesis. After the presentation by Mar\u00eda de los Santos [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":15785,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_cbd_carousel_blocks":"[]","footnotes":""},"categories":[688,689,6],"tags":[952,953,954,955,956,958,959,957],"class_list":["post-16251","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fototertulia-en","category-historic-en","category-uncategorized","tag-albumes-de-fotografia-en","tag-biblioteca-nacional-de-espanya-en","tag-colleccio-castellano-en","tag-coleccio-de-fotografia-en","tag-manuel-castellano-en","tag-photographic-albums","tag-photographic-collection","tag-stephany-onfray-en"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"On Monday 12 April, St\u00e9phany Onfray spoke to us about Manuel Castellano and his photography collection, the subject of her doctoral thesis. 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