In September 2018, when the publication of the book Sexe, race et colonies was announced to the sound of drums and cymbals, proclaiming an unprecedented iconographic profusion of 1,200 images concentrated in a luxurious coffee table book-type edition, the irruption of the text \u00abLes corps \u00e9puis\u00e9s du spectacle colonial \u201d[The exhausted bodies of the colonial spectacle] interrupted such vehemence and marked the beginning of an indispensable debate on the (re) mass circulation of photographs of colonial pornography under the pretext of historical research. Critically and ethically warning of spectacular methods in the field of historiography, our text questioned the reproduction of the original violent gesture inherent in the photographic device. In the face of the realpolitiks of consummated facts and the scientific, artistic, etc. pretexts that perpetuate the expropriation (of bodies, of rights), we demanded systems of restitution, reparation, restoration of privacy and retroactive creation of a legal framework that protects the victims of the colonization of a continuous exploitation.<\/p>\n
(Intervention in French with simultaneous translation into Spanish)<\/p>\n
Colectivo Cases Rebelles Since 2010, the black collective Cases Rebelles offers critical and militant, Afrocentric perspectives in the form of writings, videos and various publishing projects. Micha\u00ebla Danj\u00e9 is a member and co-founder of Cases Rebelles. A multidisciplinary artist, she is a musician, writer and documentary filmmaker. Among others, he has directed the play AfroTrans, an unpublished anthology of black and trans voices. He is currently working on the essay N\u00e9gritudes spectaculaires, which traces a critical history of the mobilization of the black body both in and through the image.<\/p>\n","protected":false},"excerpt":{"rendered":"
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