{"id":16276,"date":"2021-03-08T18:30:42","date_gmt":"2021-03-08T17:30:42","guid":{"rendered":"https:\/\/www.fotoconnexio.org\/2021\/03\/08\/fototertulia-mey-rahola-fotografia-i-modernitat-a-a-carrec-de-roser-martinez-garcia-i-lluis-bertran-xirau\/"},"modified":"2021-10-11T17:33:27","modified_gmt":"2021-10-11T15:33:27","slug":"fototertulia-mey-rahola-fotografia-i-modernitat-a-a-carrec-de-roser-martinez-garcia-i-lluis-bertran-xirau","status":"publish","type":"post","link":"https:\/\/www.fotoconnexio.org\/fr\/2021\/03\/08\/fototertulia-mey-rahola-fotografia-i-modernitat-a-a-carrec-de-roser-martinez-garcia-i-lluis-bertran-xirau\/","title":{"rendered":"Fototert\u00falia (Conf\u00e9rence photo) <i> Mey Rahola, photographie et modernit\u00e9 <\/i>, par Roser Mart\u00ednez Garcia et Llu\u00eds Bertran Xirau"},"content":{"rendered":"<h2>MEY RAHOLA, PHOTOGRAPHIE ET \u200b\u200bMODERNIT\u00c9<\/h2>\n<h3>\nPar Roser Mart\u00ednez Garcia et Llu\u00eds Bertran Xirau<\/h3>\n<p>Lundi 8 mars 2021 \u00e0 18h30<\/p>\n<p><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/02\/Pilar_Rahola_de_Falgas_sin_titulo_1933-36.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15624\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/02\/Pilar_Rahola_de_Falgas_sin_titulo_1933-36-300x218.jpg\" alt=\"\" width=\"353\" height=\"257\" \/>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/a> <a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/02\/Mey_Rahola_1935_jugadora_de_pelota_Teresa.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15621\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/02\/Mey_Rahola_1935_jugadora_de_pelota_Teresa-300x214.jpg\" alt=\"\" width=\"355\" height=\"253\" \/><\/a><\/p>\n<p>Le lundi 8 mars, co\u00efncidant avec la Journ\u00e9e de la femme, Roser Mart\u00ednez Garcia et Llu\u00eds Bertran Xirau nous ont parl\u00e9 de Mey Rahola. Apr\u00e8s la pr\u00e9sentation de Maria de los Santos Garc\u00eda Felguera, ils nous ont montr\u00e9 des aspects de la vie et de l&#8217;\u0153uvre de Mey Rahola.<\/p>\n<p>(En raison de probl\u00e8mes techniques, les cinq premi\u00e8res minutes ont \u00e9t\u00e9 \u00e9dit\u00e9es avec une image fixe).<\/p>\n<p><iframe loading=\"lazy\" title=\"Fototert\u00falia 2021 03 08 Mey Rahola\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/a5OvnmGnnMk?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_6.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15675\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_6-300x169.jpg\" alt=\"\" width=\"252\" height=\"142\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_7.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15678\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_7-300x169.jpg\" alt=\"\" width=\"252\" height=\"142\" \/><\/a><\/p>\n<p>Maria del Remei \u00ab Mey \u00bb Rahola de Falg\u00e0s (1897-1959), fille de parents Empord\u00e0, a grandi \u00e0 Madrid, o\u00f9 son p\u00e8re travaillait comme ing\u00e9nieur en chef dans une entreprise ferroviaire. Elle grandit dans un milieu familial de passionn\u00e9s de photographie qu&#8217;elle transcende en orientant son travail photographique vers la sph\u00e8re publique \u00e0 travers des concours, des expositions et des publications. \u00c9tablie \u00e0 Barcelone entre 1934 et 1936, Mey Rahola est devenue l&#8217;une des premi\u00e8res femmes espagnoles \u00e0 \u00eatre reconnue dans le domaine de la photographie artistique. La guerre de S\u00e9cession interrompit brutalement cette \u00e9tape de sa carri\u00e8re. En exil \u00e0 Lyon, elle a d\u00fb travailler comme photographe pour survivre. \u00c0 la fin de la guerre d&#8217;Europe, elle abandonne sa carri\u00e8re professionnelle, m\u00eame si elle continue \u00e0 prendre des photos en amateur et \u00e0 couvrir des commandes ponctuelles jusqu&#8217;\u00e0 sa mort \u00e0 Vaucresson, pr\u00e8s de Paris, en 1959.<\/p>\n<p><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15660\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_1-300x169.jpg\" alt=\"\" width=\"357\" height=\"201\" \/>\u00a0\u00a0\u00a0\u00a0\u00a0<\/a> <a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15663\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_2-300x168.jpg\" alt=\"\" width=\"354\" height=\"198\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15669\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_4-300x169.jpg\" alt=\"\" width=\"359\" height=\"202\" \/>\u00a0\u00a0\u00a0\u00a0<\/a> <a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15666\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_3-300x168.jpg\" alt=\"\" width=\"357\" height=\"200\" \/><\/a><\/p>\n<p>Les recherches ont permis de r\u00e9cup\u00e9rer une partie importante de son background photographique et de d\u00e9couvrir un regard surprenant, fruit du parcours singulier d&#8217;une femme qui s&#8217;est toujours voulue moderne, ind\u00e9pendante et attentive aux pr\u00e9occupations esth\u00e9tiques de son temps. Nous aborderons \u00e9galement la question des sources de l&#8217;imaginaire visuel de Mey Rahola. En dehors des mod\u00e8les prestigieux des salons photo et de l&#8217;iconographie noucentiste, l&#8217;originalit\u00e9 de Mey Rahola entretient un rapport fort avec les images de la presse illustr\u00e9e, alors en pleine expansion et qui diffusait de nouveaux mod\u00e8les de comportement f\u00e9minin. Les publications illustr\u00e9es sont une \u00e9cole de l&#8217;\u0153il dans laquelle Mey Rahola \u00e9tablit des mod\u00e8les pour l&#8217;idylle moderne que transmet sa photographie vitale et lumineuse.<\/p>\n<p><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15672\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/FTT_Mey_Rahola_5-300x168.jpg\" alt=\"\" width=\"500\" height=\"280\" \/><\/a><\/p>\n<p>Apr\u00e8s la conf\u00e9rence, comme d&#8217;habitude, un tour de questions tr\u00e8s anim\u00e9 a \u00e9t\u00e9 \u00e9tabli, avec un accent sur les aspects techniques, et leur relation avec d&#8217;autres photographes et avec l&#8217;Association photographique de Catalogne.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_10261\" style=\"width: 222px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/Butlleti-Fotoconnexio-02_2021_cat.pdf\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10261\" class=\"thumb-of-pdf wp-image-15654 size-medium\" src=\"https:\/\/www.fotoconnexio.org\/wp-content\/uploads\/2021\/03\/Butlleti-Fotoconnexio-02_2021_cat-pdf-212x300.jpg\" alt=\"thumbnail of Butllet\u00ed Fotoconnexi\u00f3 02_2021_cat\" width=\"212\" height=\"300\" \/><\/a><p id=\"caption-attachment-10261\" class=\"wp-caption-text\">Extrait du Photo Talk (catalan)<\/p><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MEY RAHOLA, PHOTOGRAPHIE ET \u200b\u200bMODERNIT\u00c9 Par Roser Mart\u00ednez Garcia et Llu\u00eds Bertran Xirau Lundi 8 mars 2021 \u00e0 18h30 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Le lundi 8 mars, co\u00efncidant avec la Journ\u00e9e de la [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":15657,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_cbd_carousel_blocks":"[]","footnotes":""},"categories":[699,700],"tags":[703,981,982,983,984,985],"class_list":["post-16276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fototertulia-fr","category-historic-fr","tag-concursos-fotografics-fr","tag-lluis-bertran-xirau-en-fr","tag-mey-rahola-en-fr","tag-modernitat-en-fr","tag-premsa-illustrada-en-fr","tag-roser-matinez-garcia-en-fr"],"_links":{"self":[{"href":"https:\/\/www.fotoconnexio.org\/fr\/wp-json\/wp\/v2\/posts\/16276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fotoconnexio.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fotoconnexio.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fotoconnexio.org\/fr\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fotoconnexio.org\/fr\/wp-json\/wp\/v2\/comments?post=16276"}],"version-history":[{"count":0,"href":"https:\/\/www.fotoconnexio.org\/fr\/wp-json\/wp\/v2\/posts\/16276\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fotoconnexio.org\/fr\/wp-json\/wp\/v2\/media\/15657"}],"wp:attachment":[{"href":"https:\/\/www.fotoconnexio.org\/fr\/wp-json\/wp\/v2\/media?parent=16276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fotoconnexio.org\/fr\/wp-json\/wp\/v2\/categories?post=16276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fotoconnexio.org\/fr\/wp-json\/wp\/v2\/tags?post=16276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}